Post by ((LEGACY)) on Dec 18, 2003 15:59:41 GMT -5
THE FOUR TOPS & THE TEMPTATIONS @ ROYAL ALBERT HALL, LONDON - 27/11/03
To be honest with you, I was a little apprehensive about going to a show at the Royal Albert Hall. For some kinds of music the acoustics are terrible and despite all their best efforts, I suspect they always will be as the building just wasn’t designed to handle the kind of amplification we expect these days. But what the heck, I wasn’t going to pass up the chance to see the Four Tops and the Temptations live on stage for the first time in 30 years.
The show is billed as a sing-off between the bands and I have to say, for me, the Temptations won hands down. Four of them appeared on stage; Otis Williams, the last of the original line-up, Terry “Champagne” Weeks, Ron Tyson and GC Cameron. They were halfway through their first number – ‘The way you do the things you do’ - when it occurred to me there should have been five of them. Harry McGilberry Jnr was missing. As they struck up the second song – ‘I wish it would rain’, I detected that there was an extra voice but I couldn’t work out where it was coming from.
The Temps success was always based on the mix of lead vocalists, every one of them taking a turn and they still stick to this format, which is a joy. They ran through a set of 16 numbers which included all their big hits. We were treated to ‘Ain’t too proud to beg’, ‘Ball of Confusion’, ‘Just my Imagination’ and ‘Papa was a Rolling Stone’ in quick succession before being given an introduction to the band. Then it was into ‘Get Ready’, ‘Stay’ and ‘Treat Her Like A Lady’; the men having been instructed to listen closely. It was then that my mystery was solved. GC explained that Harry McGilberry is ill and under orders from the Doctors to stay off the tour. The group are trying out Joe Herndon and he was offstage singing along, hence the disembodied voice. Joe came out for a brief dance which looked pretty good to me and having heard him sing, I think he’ll fit in just fine.
GC added that due to their huge numbers of hits, they were unable to sing everything that we would like as they’d be there till Christmas. I doubt if anyone in the audience would have minded staying there till then but, to make sure we got a taster, they launched into a medley of ‘The girl’s alright with me’, ‘All I need’, ‘It’s Growing’, ‘Beauty’s only Skin Deep’ and ‘Don’t look back’. The crowd had been on their feet dancing along to most of the fast numbers and swaying to the slow ones but as the opening bars of ‘My Girl’ rang out, 5,500 people found their voice and sang along to the entire song. Spine tingling stuff!
The set wound up with ‘I know I’m losing you’ to rapturous applause and then they were gone. No amount of howls and whistles were going to bring them back so we settled down to the break. To be honest, the sound hadn’t been as bad as I’d feared, although it had been difficult at times to work out what they were talking about, but as they’d kept speech to a minimum and concentrated on those amazing vocal harmonies of theirs it hadn’t detracted too much.
Lights down, Loads of dry ice ‘smoke’ and on came the Tops. Four of them as you’d expect, wearing mirrored jackets that flashed and sparkled like crazy. Renaldo Benson and Abdul Fakir, the two originals, were joined by Theo Peoples and Ronnie McNeir. Theo, an ex-Temptation, was brought in to replace Laurence Payton who sadly died in 1997 and Ronnie was covering for Levi Stubbs who is seriously ill after a stroke and prostate cancer.
Whereas the Temps had a basic stage setting with good lighting, but nothing too flash, the Tops went all out for a spectacle. The guy on the lights must have been working his little socks off, which was probably just as well as this is where the poor acoustics really kicked in. Whether the sound settings were changed during the break or whether the Tops style caused different vibes I have no idea but their opening number, whilst I stood and danced to it, I couldn’t actually tell you what it was. They went straight into ‘Bernadette’ but the arrangement was odd and it didn’t have the same impact. We were then introduced to the band, some of them for the second time as they use many of the same musicians as the Temps. There was quite a bit of banter going on but much of it was inaudible and you could see they thought we weren’t responding.
Then we were off into ‘I Can’t Help Myself’ which had the crowd up dancing and singing. Inexplicably, having got us all up, they then dropped the tempo for ‘When she was my girl’, ‘Ain’t no woman like the one I got’ and ‘Still Water’ and we all sat down. We stayed down for a medley of really old Tops songs and it was explained that next year is their 50th in the business. After a bit more unintelligible banter we got renditions of ‘Baby I need your lovin’ with the 5,500 voice accompaniment again, ‘Reach Out (I’ll be there)’, and ‘Keeping up with the Joneses’ to which we were asked to sing the chorus, and did.
I don’t want to give the impression that the line-up is not good. Ronnie and Theo are fantastic but they are not Levi and Laurence and I think this is where the Tops lost out over the Temps. The Temps have always switched vocalists with every number and are therefore not associated with any one sound, but The Tops were Levi Stubbs and without that distinctive voice they are a now good tribute band. The finale was a fantastic rendition of Heatwave’s classic ‘Always and Forever’ by Theo Peoples. That man can sing! But I was left wondering why they chose that rather than any of the numerous classics that they hadn’t covered.
Throughout the evening I had been getting more and more irritated by a woman sat at the side of the stage who kept calling the performers over, kissing their hands and making dramatic gestures all through their set. She, plus the other two ladies at her side looked familiar but it wasn’t until the lights came up that I realised it was Sister Sledge. Ladies, you are great in your own right but you were not on the bill.
All in all, it was worth every penny of the ticket price. The winners of the Sing-off? The Tops put on a great show, it was slick, movement perfect, stunning to watch and (barring the sound difficulties) a treat for the ears but the Temps…………
They gave us SOUL!
Just to explain, i didn't write this review...... i found it on the net and wanted to share the info...........peace out!
To be honest with you, I was a little apprehensive about going to a show at the Royal Albert Hall. For some kinds of music the acoustics are terrible and despite all their best efforts, I suspect they always will be as the building just wasn’t designed to handle the kind of amplification we expect these days. But what the heck, I wasn’t going to pass up the chance to see the Four Tops and the Temptations live on stage for the first time in 30 years.
The show is billed as a sing-off between the bands and I have to say, for me, the Temptations won hands down. Four of them appeared on stage; Otis Williams, the last of the original line-up, Terry “Champagne” Weeks, Ron Tyson and GC Cameron. They were halfway through their first number – ‘The way you do the things you do’ - when it occurred to me there should have been five of them. Harry McGilberry Jnr was missing. As they struck up the second song – ‘I wish it would rain’, I detected that there was an extra voice but I couldn’t work out where it was coming from.
The Temps success was always based on the mix of lead vocalists, every one of them taking a turn and they still stick to this format, which is a joy. They ran through a set of 16 numbers which included all their big hits. We were treated to ‘Ain’t too proud to beg’, ‘Ball of Confusion’, ‘Just my Imagination’ and ‘Papa was a Rolling Stone’ in quick succession before being given an introduction to the band. Then it was into ‘Get Ready’, ‘Stay’ and ‘Treat Her Like A Lady’; the men having been instructed to listen closely. It was then that my mystery was solved. GC explained that Harry McGilberry is ill and under orders from the Doctors to stay off the tour. The group are trying out Joe Herndon and he was offstage singing along, hence the disembodied voice. Joe came out for a brief dance which looked pretty good to me and having heard him sing, I think he’ll fit in just fine.
GC added that due to their huge numbers of hits, they were unable to sing everything that we would like as they’d be there till Christmas. I doubt if anyone in the audience would have minded staying there till then but, to make sure we got a taster, they launched into a medley of ‘The girl’s alright with me’, ‘All I need’, ‘It’s Growing’, ‘Beauty’s only Skin Deep’ and ‘Don’t look back’. The crowd had been on their feet dancing along to most of the fast numbers and swaying to the slow ones but as the opening bars of ‘My Girl’ rang out, 5,500 people found their voice and sang along to the entire song. Spine tingling stuff!
The set wound up with ‘I know I’m losing you’ to rapturous applause and then they were gone. No amount of howls and whistles were going to bring them back so we settled down to the break. To be honest, the sound hadn’t been as bad as I’d feared, although it had been difficult at times to work out what they were talking about, but as they’d kept speech to a minimum and concentrated on those amazing vocal harmonies of theirs it hadn’t detracted too much.
Lights down, Loads of dry ice ‘smoke’ and on came the Tops. Four of them as you’d expect, wearing mirrored jackets that flashed and sparkled like crazy. Renaldo Benson and Abdul Fakir, the two originals, were joined by Theo Peoples and Ronnie McNeir. Theo, an ex-Temptation, was brought in to replace Laurence Payton who sadly died in 1997 and Ronnie was covering for Levi Stubbs who is seriously ill after a stroke and prostate cancer.
Whereas the Temps had a basic stage setting with good lighting, but nothing too flash, the Tops went all out for a spectacle. The guy on the lights must have been working his little socks off, which was probably just as well as this is where the poor acoustics really kicked in. Whether the sound settings were changed during the break or whether the Tops style caused different vibes I have no idea but their opening number, whilst I stood and danced to it, I couldn’t actually tell you what it was. They went straight into ‘Bernadette’ but the arrangement was odd and it didn’t have the same impact. We were then introduced to the band, some of them for the second time as they use many of the same musicians as the Temps. There was quite a bit of banter going on but much of it was inaudible and you could see they thought we weren’t responding.
Then we were off into ‘I Can’t Help Myself’ which had the crowd up dancing and singing. Inexplicably, having got us all up, they then dropped the tempo for ‘When she was my girl’, ‘Ain’t no woman like the one I got’ and ‘Still Water’ and we all sat down. We stayed down for a medley of really old Tops songs and it was explained that next year is their 50th in the business. After a bit more unintelligible banter we got renditions of ‘Baby I need your lovin’ with the 5,500 voice accompaniment again, ‘Reach Out (I’ll be there)’, and ‘Keeping up with the Joneses’ to which we were asked to sing the chorus, and did.
I don’t want to give the impression that the line-up is not good. Ronnie and Theo are fantastic but they are not Levi and Laurence and I think this is where the Tops lost out over the Temps. The Temps have always switched vocalists with every number and are therefore not associated with any one sound, but The Tops were Levi Stubbs and without that distinctive voice they are a now good tribute band. The finale was a fantastic rendition of Heatwave’s classic ‘Always and Forever’ by Theo Peoples. That man can sing! But I was left wondering why they chose that rather than any of the numerous classics that they hadn’t covered.
Throughout the evening I had been getting more and more irritated by a woman sat at the side of the stage who kept calling the performers over, kissing their hands and making dramatic gestures all through their set. She, plus the other two ladies at her side looked familiar but it wasn’t until the lights came up that I realised it was Sister Sledge. Ladies, you are great in your own right but you were not on the bill.
All in all, it was worth every penny of the ticket price. The winners of the Sing-off? The Tops put on a great show, it was slick, movement perfect, stunning to watch and (barring the sound difficulties) a treat for the ears but the Temps…………
They gave us SOUL!
Just to explain, i didn't write this review...... i found it on the net and wanted to share the info...........peace out!
