Post by Jonel on Jan 29, 2003 8:34:26 GMT -5
Blue Eyed Soul Meets Motown
by skbreese at www.epinions.com/
February 19, 2002
Daryl Hall and John Oates' music had been labeled as "Blue Eye Soul" in their heyday from the mid 1970's through the early 1980's. Known for their catchy hooks and melodies, they also combined elements of new wave and rock with silky smooth vocals. In the mid 80's, they teamed up with former members of the legendary 1960's soul group, The Temptations , David Ruffin and Eddie Kendrick for a series of live shows. Some of the highlights of that tour are featured in the the 1985 recording Hall & Oates Live At The Apollo with David Ruffin & Eddie Kendrick. This CD blends the lush pop and soul harmonies of the Temptations' best music with Hall and Oates' crafty musicianship and brings out the showmanship of all of the performers. The singers are backed by a solid band including bassist T-Bone Wolk, drummer Micky Curry, lead guitarist G.E. Smith, and saxophonist/keyboardist Charlie Deschant and an additional horn section that enlivens this energetic recording.
The Motown Sound
The first track is a medley of some the Temptations' biggest hits, the rocker Get Ready, the soulful anthem Ain't Too Proud To Beg, the rock and roll classic, The Way You Do The Things You Do and the doo wop ballad My Girl. Ruffin and Kendrick provide inspired vocals on these numbers with crooning backing vocals from Hall and Oates. You can almost see the patented Motown synchronized dance steps and the swinging horns with a persistent beat and up tempo rhythm section and horn solos.
When Something Is Wrong With My Baby highlights a Kendrick/Ruffin lead vocal with Daryl Hall providing alternating vocals. A searing lead guitar solo and blaring horns blend in with a semi- orchestral sound on this number.
Blue-Eyed Soul Serenades
A song that was a hit first for English singer Paul Young, Everytime You Go Away epitomizes the "Blue Eyed Soul" sound with Hall and Oates on lead vocals, and extended improvisational vocal inflections and Kendrick and Ruffin's doo wop accents.
Hall and Oates original tune, I Can't Go For That (No Can Do) begins with a percussion and keyboard introduction. It is much more spirited and jazz oriented than the version on their Private Eyes CD. Flamboyant saxophone and horn solos and funky guitar licks adds spice to this number.
From the H2O CD, One On One is a smooth vocal performance with Daryl Hall's, high pitched harmonies and Kendrick and Ruffin's equally harmonious background vocals. A sparkling saxophone solo solidified this piece. Possession Obsession features vocals by John Oates and great alternating Motown lead and background vocal designs. Jazz accents perk up this grooving tune. Adult Education is the closest to a new wave selection on the CD. Daryl Hall's rap like vocals and a mean lead guitar, leave little room for the Motown sound in this rocker. This is a clear departure from the "Blue eyed soul" and Motown sound. It is a fitting lead into the modern era of rhythm and blues.
The collaboration of the "Blue Eyed Soul" masters Hall & Oates and Motown sound of the ex- Temptations members Ruffin and Kendrick would seem to be a dream combination for bankable tour and best selling album. However, the tour was short lived and the record sales never reached their expectations. Although the "Live At The Apollo" recording is well- produced, it's biggest weaknesses are the amount of chatter between songs and a little too much use of improvisational melodic vocal meandering. It is also obvious that Hall & Oates' music and dynamic performances dominate the second half of the recording. For those reasons, I only rate this as an average recording. It was a great concept that only partially lived up to it's potential.
by skbreese at www.epinions.com/
February 19, 2002
Daryl Hall and John Oates' music had been labeled as "Blue Eye Soul" in their heyday from the mid 1970's through the early 1980's. Known for their catchy hooks and melodies, they also combined elements of new wave and rock with silky smooth vocals. In the mid 80's, they teamed up with former members of the legendary 1960's soul group, The Temptations , David Ruffin and Eddie Kendrick for a series of live shows. Some of the highlights of that tour are featured in the the 1985 recording Hall & Oates Live At The Apollo with David Ruffin & Eddie Kendrick. This CD blends the lush pop and soul harmonies of the Temptations' best music with Hall and Oates' crafty musicianship and brings out the showmanship of all of the performers. The singers are backed by a solid band including bassist T-Bone Wolk, drummer Micky Curry, lead guitarist G.E. Smith, and saxophonist/keyboardist Charlie Deschant and an additional horn section that enlivens this energetic recording.
The Motown Sound
The first track is a medley of some the Temptations' biggest hits, the rocker Get Ready, the soulful anthem Ain't Too Proud To Beg, the rock and roll classic, The Way You Do The Things You Do and the doo wop ballad My Girl. Ruffin and Kendrick provide inspired vocals on these numbers with crooning backing vocals from Hall and Oates. You can almost see the patented Motown synchronized dance steps and the swinging horns with a persistent beat and up tempo rhythm section and horn solos.
When Something Is Wrong With My Baby highlights a Kendrick/Ruffin lead vocal with Daryl Hall providing alternating vocals. A searing lead guitar solo and blaring horns blend in with a semi- orchestral sound on this number.
Blue-Eyed Soul Serenades
A song that was a hit first for English singer Paul Young, Everytime You Go Away epitomizes the "Blue Eyed Soul" sound with Hall and Oates on lead vocals, and extended improvisational vocal inflections and Kendrick and Ruffin's doo wop accents.
Hall and Oates original tune, I Can't Go For That (No Can Do) begins with a percussion and keyboard introduction. It is much more spirited and jazz oriented than the version on their Private Eyes CD. Flamboyant saxophone and horn solos and funky guitar licks adds spice to this number.
From the H2O CD, One On One is a smooth vocal performance with Daryl Hall's, high pitched harmonies and Kendrick and Ruffin's equally harmonious background vocals. A sparkling saxophone solo solidified this piece. Possession Obsession features vocals by John Oates and great alternating Motown lead and background vocal designs. Jazz accents perk up this grooving tune. Adult Education is the closest to a new wave selection on the CD. Daryl Hall's rap like vocals and a mean lead guitar, leave little room for the Motown sound in this rocker. This is a clear departure from the "Blue eyed soul" and Motown sound. It is a fitting lead into the modern era of rhythm and blues.
The collaboration of the "Blue Eyed Soul" masters Hall & Oates and Motown sound of the ex- Temptations members Ruffin and Kendrick would seem to be a dream combination for bankable tour and best selling album. However, the tour was short lived and the record sales never reached their expectations. Although the "Live At The Apollo" recording is well- produced, it's biggest weaknesses are the amount of chatter between songs and a little too much use of improvisational melodic vocal meandering. It is also obvious that Hall & Oates' music and dynamic performances dominate the second half of the recording. For those reasons, I only rate this as an average recording. It was a great concept that only partially lived up to it's potential.